An Easter special with lots of
animals. Garry recognizes the Norman Paris Trio providing music. This is possibly the first reference to Paris,
who would become the show’s musical director.
Garry has Easter
bonnets for the female panelists, and with them comes the first secret of the
night: “Jayne and Faye have bees in their bonnets (live bees)”
The hats
were designed by Mr John, a fact that immediately delights Faye. John P John (yes, really) was a well-known
milliner whose hats adorned wealthy celebrities and socialites, especially in
the 1940s and 1950s. He also worked in
Hollywood, and designed the hats worn by Vivien Leigh as Scarlett O’Hara in Gone
with the Wind (1939).
Marte Latham from
Wexford, Pennsylvania: “I have the world’s largest Easter Bunny”
Mrs.
Latham’s Flemish Giant rabbit weighs in at over 25 pounds. Though her professional life is not mentioned
here, Latham is an explorer and collector whose adventures in South America
yield exotic plants and animals for zoos and research. She would return to the show in 1961 with a
less cuddly creature (
E435
).
Albert
McAlexander of Carysville, Ohio: “I have a horse who can roller skate”
“Jimmy”
is fitted with special skates and struggles with the soft linoleum floor of the
studio, but we’re told on a hard surface he can really go. Jimmy was featured in a 1952 issue of Life
Magazine and would perform nationwide in the years that followed.
“Butch” the
cockatoo: “I kissed Winston Churchill”
Butch is
handled by a youngster, William VanderWyden from Parrot Jungle, Miami, Florida,
who answers the questions on behalf of his bird. Billy’s father comes out later with a trained
macaw that, on command, rolls around on the floor. Parrot Jungle began in 1936 as a zoo and
tourist center. Today known as Jungle
Island and located on a different site than the original, the zoological
exhibits remain but the operation is now also home to a small amusement
park. Young Billy, who is the grandson
of the park’s original founders, would grow up to be a Dean at the University
of Miami School of Law.
In a
weird final spot, 100 rabbits are let loose on stage and youngsters from a
local branch of the Boys Club are whistled up on stage to grab one as a gift. In his book about What’s My Line? (1978), executive producer Gil Fates devotes part of one chapter to I’ve Got
a Secret and spends several paragraphs describing this event in disastrous
terms. Whatever the backstage turmoil,
everything on camera seems to be relatively benign.
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